back in print on vinyl and for the first time on drag city cds, damon & naomi with ghost is a sweet meeting of mind and soul featuring ghosts masaki batoh and michio kurihara in full collaboration with the titular hero and heroine. everybody brings their heaviest and lightest sounds and the album — a pre freak-folk freaky folk excursion — now meets us on the other side, all charms intact.
including bonus 7 inch, featuring the tracks >femme fatale< and >my flower<.

>let it flow< is the debut single from danny wheelers debut album >universal language<. hailing from the west london scene, >universal language< is his first artist album, danny wheeler is a passionate artist, his debut release >ghost< put him & co-producer sub focus into the top 5 of the uk dance charts. his label w10 also signed the brookes brothers, who released their first records on his w10 imprint.

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

knowing looks kicked off 2011 for wncl recordings with with his much loved, hard stepping abandoned skip, backed with the acclaimed symphonic masterpiece that was last kiss at the plains hotel. jason hopfner is back again to neatly tie up a busy year at wncl hq, unveilling the classically constructed epic listen to my 45 - described by ben ufo as >lovely. gorgeous. slick. buff etc< … and who are we to disagree. just do what it says on the tin, then flip over for ghost baby - yet another fine example from hopfners rich and varied production cannon, melding super cool minimalism with party breaks. merry christmas from the cassette library!

after his critically acclaimed album on ghost sounds, a.p. now delivers this beautiful limited edition heavyweight picture disc release, containing his...

remixed field recordings of a trip with the ghost train from los mochis to veracruz, mexico.

lcd soundsystem bring >drunk girls< to a rock party, holy ghost! take them to the electro floor.

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

midnight magics >drop me a line< backed up with remixes by steffi, mano le tough and holy ghost. permanent vacation delivers once again a package of pure house-music-magic.

its only natural that martyn has risen above the cliches and pitfalls of the vacuous dj world. over his 15 years djing, 6 years producing, and 4 years a&ring his 3024 imprint, the holland-born / washington dc-based artist has forged his own path every step of the way. his multi-leveled career has kept balance with a focus on art, and his every sacrifice is preserved in an endless dedication to music. as a continual record buyer and beat seeker, martyn is a beacon of hope through leagues of passion-less djs and producers, the ghost people: plastic, hollow shells that focus only on the in-the-now grooves or keeping in line with trends.
double 12 inch white vinyl in gatefold cover, including code for free digital download of the full album.

part 2 of the series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, >emptying the vaults< highlights the era of stefan goldmanns “uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >ghost revisited< and >crack it< build on lush house grooves, while >heatwave< leans to the dub side of things. enjoy and look out for part 3!

wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

another red hot and innovative release from our favourite ny label! ghost note follow up their stunning debut with another double header of uncategorizable, but mindblowing cosmic dance music.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.

deep house bliss from centric mixes from moodymanc.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.
comes with a cd containing the following tracks:
- city nightlights
- city nightlights ii
- interdimensional
- landmark ii
- city nightlights iii
- city nightlights (beats reduced)

anfang des jahres hat kasper bjørke ein großartiges electro-pop-album auf hfn veröffentlicht. als kasper bjørke & his friendly ghost präsentiert der mann aus kopenhagen indes einen sound, der seine wurzeln in techno, minimal und house hat. mit dem >go away song< feiert er einen starken einstand auf der black label-serie von compost. remixe kommen von wareika (eskimo, perlon) und holtoug.

the first release will be with the new kid in town: ghost mutt. this young producer from brighton (uk) is linked as resident artist to the people of donky pitch with other residents like boss kite and slugabed. his sound can be, if we try to genre-ize it, defined as a mash-up of hiphop beats mixed with dubstep, covered with glitches, funky tweaks, purple flares and dirty basses. he has been sharing line-ups with tokimonsta, slugabed, blue daisy, boss kite, coco bryce and bass clef.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

solid clubbing 4 tracker on jetaime records produced by varoslav incl remixes by carlo lio and resmann

hi-quality minimal dub/ambient techno by skyscaper & ekelon. comes on the likeable ghost sounds label (that always seem to be pressing less as what the demand is unfortunately... hence the zero stock on back catalogue). but lush long tracks with a foggy ambient piece on side a, and a more bright rhythmic dubby piece on the flip with beautiful strings and lush melodies. sweeet!

becoming real is a young producer based in the suburbs of nowhere, channeling his very own post-apocalyptic vision of london. a haunted and haunting spectre, his self-termed ghost-step soundscapes are as much influenced by a conceptual future dystopia as they are by luminaries zomby & mount eerie.

with ‚into the great wide yonder trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. the original chord progressions and feel for melodies is fundamental to him, and thats also the reason why most of the instruments are played by trentemøller himself on this album. >i like the possibility to be surprised that chords and melodies change into something new. the music that i like most lets the themes and sounds come back in different disguises<. the danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. the first single of the album, the beautifully tender >sycamore feeling<, featuring marie fisker, is a typical highlight

the 2010 album from the national on heavyweight double vinyl, housed in a gatefold sleeve and clear pvc bag.

sie haben die stadt amsterdam binnen k?rzester zeit auf die internationale rock-landkarte bef®rdert, haben dem rest der welt gezeigt, wie man britpop auf holl?ndisch buchstabiert. gleich ihre ersten auftritte fanden im vorprogramm von paul weller statt, dann entdeckte sie karl lagerfeld, der ihnen dazu verhalf, vom esquire magazin mal eben als ºbest dressed band? abgefeiert zu werden, und inzwischen sind sie auch hierzulande eine feste gr®?e

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

180g vinyl. complete with remixes from the legendary king of cosmic, daniele baldelli and an abstract gem from one of the renowned three chairs (alongside moodymann and theo parrish) marcellus pittman, this is a release for real music connoisseurs.

again some excellent dusty & dreamy ambient tracks on this ghost sounds / creative space records collaboration. laser etched artwork, purple marbled 180 gram vinyl.

ein halbes jahr nach dem zauberhaften album >thrown out of drama school< von phantom ghost erscheint nun die single >four shadows< und knüpft konzeptuell an ihre langspielplatte an. nur auf klängen des von thies mynther gespielten, geschlagenen und teils präparierten klaviers und dem gesang dirk von lowtzows basiert >the shadow<, eine hommage an den schauspieler peter o toole (lawrence of arabia, caligula etc.). in gleich zwei teilen liegt das stück von phantom ghost selbst vor. dazu gesellt sich ein höchst kathedralischer remix von dial label chef carsten jost persönlich, sowie eine reduziert epische version von pantha du prince, der gerade sein neues album >black noise< auf rough trade veröffentlicht. in praise of shadows

1996 classic!

following the highly acclaimed harbour boat trips 01: copenhagen by trentemoeller hfn music proudly presents its first artist release by kasper bjoerke, with his brand new long player, standing on top of utopia.

>all tracks are great! will definately play it... pianos on the beach is amazing.<
- robin (david gilmour girls)
>yeah, as i said, i think its your best edit 12 so far. the choice of tracks is great, >pianos on the beach< is the kind jam youd like to hear on a dancefloor late at night, i guess this could have been played by francis grosso or mancuso. same for >look at you<, fantastic track, very emotionnal, whis has something of an anthem. keep on sending me such a thing. (btw, i m a fan of canyons label, great stuffs)<
-cosmo vitelli
>this is the kind of release that makes me excited to dj again...and again. theres something here for the beginning, middle, and end of a great night.<
-alex frankel (holy ghost!)
>loving that piano jam mister renault - perfect to drop just when you have em where you want em towards the end!<
-jim stanton (horse meat disco)
>nice one jacques, sounding good man!<
-mark e
>mr. renault is on a roll!!!!! seeing as everyone and their mother is doing edits these days, it comes as no surprise than the man takes it to the proverbial next level with this ep.<
-my cousin roy (wurst music)
>love these - more great edits from jacques. have been playing them out with great results!<
-prince language

second 12 inch record on hands of time comes from san fransiscos beat broker who have previously released records on such acclaimed labels as flexx, disques sinthomme and ghost town as well as remix work for eskimo, internasjonal and rebirth to name a few.
we know you will enjoy this one..
support comes from joakim, greg wilson, tensnake, baby g, phoreski, ilija rudman, james murphy, steve yanko, mike burns, etc..

two soundscapes from atheus and relapxych. different from previous output shapes / phases, no beats this time, only drones. 180 gr coloured vinyl.

lee curtiss and spectral sound have been running in the same pack for years-&#64257,,nally, after suf&#64257,,ciently circling each other and snif&#64257,,ng each others business, spectral and lee have joined forces to release the detroit producers the black door ep, and it s a doozy. lee curtiss traf&#64257,,cs in airtight, undeniable dance tracks with a tricksters sense of experimentation-the black door ep is all that and more, a beguiling 12 inch whose charms multiply with each listen. >black door beauty< opens side a with a touch of chicago futurism, spinning congas, staccato vocal samples, and a swift dusting of hi-hats into a house anthem with psychedelic undertones. berlin producer dyed soundoroms remix minimizes the sub-bass thump and plays up the tracks oddball trappings, tricking out >black door beauty< with the sounds of creaking hinges, neurotic synthesizers, and a particularly creepy chorus of hysterical tittering. b-side >smoking mirrors< guides the listener through clouds of melting organ tones and busy, polyrhythmic click-clack as a sturdy bassline (with a funky, french-house beat skip) cuts through the haze. curtiss lets the rhythm do the work, building to multiple climaxes in the span of seven minutes. at the end of each anxious buildup, there s a womans breathless moan, a let-the-air-out-of-the-tires hiss, and it s time to do it all over again.

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

raw synth line & chords driven techno/house stuff by the mysterious mod.civil project (ornaments). be fast - limited edition!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

new label lost in records drops a killer 2-track remix 12inch from red hot indie rock dance band mgmt. one side features the slow and sleazy late night screening mix from soft rocks while the flip upbeat electro glam remixes (vox & inst) from holy ghost

>ghost story< ist eine faszinierende reise in die dunkelheit begleitet von gruseligem piepen und geisterhaften melodien. auf der b-seite verzichtet >this way we play<, keinesfalls auf den schaurigen nervenkitzel. der track ist treibend und schlagend zu gleich, mit unheimlich verstimmten synths...

lisztomania is the first single of the much acclaimed new phoenix album wolfgang amadeus phoenix . kitsune have asked the new electro scene to remix it and this led to this great and exciting ep! new yorkers holy ghost! (dfa), with this great version of crystal fighters xtatic truth, put everyone in agreement - on their knees. la based classixx deliver a production thats evocative of a corvette in the sun, carefree, before it all gets dangerously heated up. quite convenient too when youre fifteen (at least spiritually) to french kiss for a whole five minutes. finally half of digitalism, der die das, brings the track to the dancefloor with an uplifted and breathtaking version.